Julie
Becker
1972 Born Los Angeles, CA
1993 BFA, California Institute for the Arts, Valencia
1995 MFA, California Institute for the Arts, Valencia
1998 Artist in Residence, Stiftlung Laurenz-Haus Foundation, Basel, Switzerland
Solo Exhibitions
2003 Sightings, Museum of Contemporary Art, Los Angeles
2000 In Sync: Cinema and Sound in the work of Julie Becker and Christian Marcaly, Whitney Museum of American Art, New York
1997 Kunsthalle Zurich, Switzerland, curated by Bernhard Burgi
Group Exhibitions
2007 - The Shapes of Space. Guggenheim Museum, New York
2006 - 2nd International Biennial of Contemporary Art of Seville, Spain.
The Unhomely: Phantom Scenes in Global Society
2004 - Strawberry Fields, La Colleccion Jumex, Guadalajara,
Mexico
Slouching Towards Bethlehem, The Project, New York
2003 - Sodium Dreams, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York
2002 - Julie Becker, Padraig Timoney and Kelley Walker, Greene Naftali, New York
Remix: Contemporary Art and Pop Music, Tate Liverpool, England
2001 - Casino, curated by Jeanne Greenberg, S.M.A.K., Ghent, Belgium
The Slide Area, curated by Terry Myers, James Van Damme Gallery, Brussels
2000 - Julie Becker / Dan Graham, China Art Objects, Los Angeles, CA
SHOCKWAVE, Raucci/Santamaria Gallery, Napoli, Italy
Trailer, Greene Naftali Gallery, New York
1999 - Peace, Museum fur Gegenwartskunst Zurich, Switzerland
A Place Called Lovely, Greene Naftali Gallery, NY, curated by Sima Familant
Another Girl Another Planet, Lawrence Rubin Greenberg Van Doren Fine Art, NY,
curated by Jeanne Greenberg & Gregory Crewdson
Cinema Cinema - Contemporary Art and the Cinematic Experience,
Van AbbeMUSEUM, The Netherlands
Free Coke, Greene Naftali Gallery, New York
1998 - L.A. Times: Art from Los Angeles in the Re Rebaudengo Sandretto Collection, Italy
LA or Lilliput?, Long Beach Museum of Art, California, curated by Michael Darling
1997 - Model Terrains, curated by Madeleine Grynsztejn, Carnegie Museum of Art,
Pittsburgh, PA
Stills: Emerging Photography in the 1990s, Walker Art Center, Minneapolis, curated by Douglas Fogle
Defamiliar: Julie Becker, Miles Coolidge, Thomas Demand, Regen Projects,
Los Angeles
Broken Home, Greene Naftali Gallery, New York, curated by Meg O’Rourke & Caroline Schneider
Gothic, ICA, Boston, Portland Art Museum, Washington, curated by Christoph
Grunenberg
New Works: Drawings Today, San Francisco Museum of Modern Art, curated by
Gary Garrells
Hot Coffee, Artists Space, New York, curated by Thomas Lawson,
1996 - Universalis: 23. Bienal Internacional Sao Paolo, North American Section, Sao
Paulo, Brazil, curated by Paul Schimmel, Pavilhao Ciccillo Matarazzo & Parque
do Ibirapuera
Summer Group Show, Greene Naftali Gallery, New York
1995 - Dave Mueller’s Three Day Weekend, Los Angeles
1993 - L.A. La Land, NewSpace, Los Angeles
Bibliography
2002 Smith, Roberta, Review, “Julie Becker, Padraig Timoney, Kelley Walker” New York Times, Friday, September 27, 2002.
2001 von Schlegell, Mark, “Sparkle Girl”, artext, February – April, p. 44-49.
2000 Muller, Markus, “Julie Becker: The Invisible is Real (Walter De Maria)”, Afterall,
Issue 2.
Wollen, Peter, “Julie Becker”, Afterall, Issue 2.
1999 Henry, Max, Review, “Another Girl Another Planet”, Flash Art, May-June, p. 61.
Arning, Bill, “The Sisters from Another Planet”, TimeOut New York, April 8-15.
Gibbs, Michael, Review, “Cinema, Cinema”, Art Monthly, no. 225, April, p. 24-26.
de Mol, Paul, “Cinema Cinema in Van Abbemuseum”, Brabant Cultureel, vol. 48,
no. ½, Jan/Feb, p. 31-33.
Barragan, Paco “Cinema, Cinema”, El Periodico del Arte, Abril de 1999, p. 18
1998 Wilson, William, “ ‘Lilliput’: Small Art in the Big City of L.A.”, L.A. Times
Baltin, Brian, “Small is Psychedelic: Los Angeles under a microscope”, LA Weekly,
November 27-December 3
Hauptman, Jodi, “Imagining Cities - Julie Becker’s Metropolitan Labyrinths”,
Fernand Leger, Museum of Modern Art, exhibition catalogue, p. 91-97, ill.
Darling, Michael, L.A. or Lilliput?, Long Beach Museum of Art, exh cat.
1997 Julie Becker; Researchers, Residents, a Place to Rest, Interview with
Bernhard Burgi, Kunsthalle, Zurich, Switzerland, exhibition catalogue.
Greene, David A., Review, “Hot Coffee”, Frieze, May, pp. 76-77.
Grunenberg, Christoph, editor, “Unsolved Mysteries”, Gothic Transmutations in Late Twentieth Century Art, ICA-Boston, Spring, p. 190-191, exhibition catalogue.
Kurjakovic, Daniel, Geister in den Wanden:Absalon und Julie Becker in der Kunsthalle, Neue Zurcher Zitung, June 10.
Lauter Whonungen und einige Spuren von ihrer Bewohnung,Vorarlberger Nachrichten, June 21-22, ill.
Leffingwell, Edward, “Report from San Paulo: Nationalism and beyond”,
Art in America, March, p. 35-41.
Maureer, Simon, Behausungen ur Korper und Geist Zuriptip, May 30, p.65, ill.
Myers, Terry R. “Julie Becker: un lieu ou sejourner/A Place to Rest”, Art Press,
No. 223, April, pp.42-46.
Rugoff, Ralph, “LA’s Female Art Explosion”, Harper’s Bazaar, April p.204-205, 246.
Saltz, Jerry, “Regular, No Sugar”, TimeOut New York, February 27-March 6.
Schjeldahl, Peter, “La-La Band”, Review of "Hot Coffee" at Artists Space, The Village Voice, February 18, vol. XLII, No. 7.
Smith, Roberta, “The Horror: Updating the Heart of Darkness”, The New York Times, June 1.
Wuest, Karl, Reale und mentale Raumbjekte als Lebensmetapher Neue Luzerner Zeitung, June 2.
1996 Kraus, Chris, catalogue essay, Universalis: 23. Bienal Internacional Sao Paolo,
North American Section, curated by Paul Schimmel, Pavilhao Ciccillo Matarazzo
& Parque do Ibirapuera, Sao Paulo, Brazil, October 5-December 8, p.160-161,
exhibition catalogue.
Saltz, Jerry, Review, “Summer Group Show”, TimeOut New York, July 24-31.
Schimmel, Paul “Fool's Gold”, Universalis - 23. Bienal Internacional Sao Paolo,
North American Section, curated by Paul Schimmel, Pavilhao Ciccillo Matarazzo
& Parque do Ibirapuera, Sao Paulo, Brazil, October 5-December 8, p. 134-135.
Public Collections
Museum of Contemporary Art, Los Angeles, California
Denver Art Museum
Museum fur Gegenwartskunst Zurich, Switzerland
Copyright
© 2008 by Julie Becker